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銆�銆�鈥淛on Jost鈥檚 Chameleon was probably the happiest instance of a mixed marriage at the Festival (Edinburgh 1979): combining a freak, trippy (in fact almost Corman-esque) saga of a dope-dealer and all-round hustler with an abstract distillation of patterns of color and light. The place of the latter in the film is both somewhere within the drug-laced nimbus of its title character, ... (灞曞紑鍏ㄩ儴)
鎵弿浜岀淮鐮侊紝闅忔椂闅忓湴绉熻溅
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