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銆�銆�Tscherkassky concentrates on central motifs from Sergio Leone鈥檚 classic The Good, the Bad and the Ugly, zeroing in on Eli Wallach stumbling across a vast cemetery and the anti-hero鈥檚 head as he dangles from the gallows. Tscherkassky intercuts the latter image with countdown leader, ironically delaying the saving bullet shot by Clint Eastwood. Hereby the very film tears and sudd... (灞曞紑鍏ㄩ儴)
鎵弿浜岀淮鐮侊紝闅忔椂闅忓湴绉熻溅
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