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銆�銆�Jean Gr茅millon鈥檚 first talkie, the 1930 LA PETITE LISE, is anything but talky. While opening 銆�銆�and closing with soulful afro-Latin strains, something just above silence reigns throughout 銆�銆�the film. Gr茅millon is already orchestrating the auditory menace of nuanced sound sculpting 銆�銆�that would later pervade REMORQUES (1941), setting forth evolving rhythmic figures at an 銆�銆�atmospheric wh... (灞曞紑鍏ㄩ儴)
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